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ARTIST

            Peter Orphános

Artwork

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Catrina / Prism The girl with the sun glinting on her cheek, suggesting, hinting at a Harlequin Girl - but not. More prismatic - triangular parallelogram.

Harlequin Prismatic

24 by 36in. (60.96 by 91.44cm.) Oil on Canvas

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At first as the brush glazed the canvas it is with that white dot paint that shaped the idea of an Eye to appear. As in my automatic renewal of ideas which come to me in the meditative state of mind I can easily recall - alike conscious hypnosis 'a waking state of awareness, or consciousness, in which a person's attention is detached from his or her immediate environment and is absorbed by inner experiences such as feelings, cognition and imagery'. It is there where my paintings are created out of the subconscious consciously.

All Seeing...i Know /Afr Eye

96 by 96 in. (243.84 by 243.84 cm.) Acrylic on Canvas

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The sketch originally started with foreshortened head with its view looking down then looked up without changing its physical structure.

Blushing Bride Oil Sketch

9 by 9 in. (22.86 by 22.86cm.) Graphite Oil on Wood

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The bride stands next to her man, or (at the moment) her boyfriend, who listens to exterior suggestions from unnecessary sources. The groom is not in the picture - soon to be emasculated.

The Blushing Bride

18 by 21 in. (45.72 by 53.34 cm.) Oil on Wood

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Foreshortened life model muse.

The Model

11 by 14 in. (27.94 by 35.56 cm.) Charcoal on Paper

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We all know of the other side of laughter, of happiness, of smiling, within the comedic lives of sadness.

The Smiling Clown...Encaustic

8 by 11 in. (20.32 by 7.94 cm.) Encaustic

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“Civilón” The Most celebrated example of what Spaniards call nobility in a bull was that of “Civilón” Isidoro Alvarez , an ex-novillero employed by the ranch of D. Juan Cobaleda, had noticed a particularly noble young calf. He approached it on horseback and even fed it tender branches of the evergreen oak. As time went on he dared to dismount to feed the bull and ultimately succeeded in scratching it under the neck. Numerous articles and photos of “Civilón” appeared in the Spanish press; even children were admitted onto the range with the bull. Finally Pedro Balañá, impresario of the Barcelona ring, thought it would be a lucrative publicity stunt to have “Civilón” fought in a regular corrida.

[ See "Artist PDF" for detailed description. ]

Tears For the Matador

20 by 20 in. (50.8 by 50.8 cm.) Oil on Canvas

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Not having luminescent or iridescent paints I wanted to create that luminosity that insects have, Using regular oil paint.

Dragonfly

12 by 16 in. (30.48 by 40.64 cm.) Oil on Canvas

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Painted from a cast indoor dark interior. Creating rust, instead looking like molten steel / melted wax. Dark spiritually omitted from the meaning of protectant of souls on lookout for the family of God.

Gargolye

36 by 23in. (91.44 by 58.42cm.) Oil on Canvas

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James Hendricks Art [ Workshop ]. 1993 University of Mass Amherst - giving the class an example of ‘Stain Painting’ through me as he handed me every product golden - could think of. As he was a spokesman for them through color. I poured each untill I felt it ample enough onto a raw unfinished canvas turning it - guiding the flow of the paint in liquid form. From one painting changing constantly… it was many more than just the one frozen in time.

Tx Race

35-1/2 by 26 in. (90.17 by 66 cm.) Acrylic Stain on Canvas

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In this painting the cross recalls the fact that Christ was enveloped in a supernatural darkness before the end. The wings of an angel embrace the cross. From memorized hymns sung in belief, lost through the maturity of gratification in the most physical sense. Adjusting & creating a doctrine to meet their own needs. The young girl has become the opposition of her own self. Forever ruining each word of the lyric - becoming her own fate.

Crucified Christianity

20 by 16 in. (50.8 by 40.64 cm.) Oil on Canvas

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After painting alongside an art teacher in college trying my damnedest to paint the truest religious theme of Christianity. Each cross or theme painted looking like a folk painting with all physical proportions off in true one dimensional form - looking similar at best to a Grandma Moses subject juxtaposed to error - with the last of all paint on palette taken up with pallet knife - 7 swipes of paint - praying not to offend God himself. Showing the face of Anguish on the place of the skull . With the comment of that art teacher ‘You really captured it’.

The Christ/Nra Place of the Skull

20 by 20 in. (50.8 by 50.8 cm.) Oil on Paper

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Painting intuitively / improvising - after the paint was dry - I then see three crosses at the top of painting melding down as if it were a history of each life, and an almost formed Star, not of David, possibly forming into, as with ‘the all seeing eye’ automatically situated - directly in position of the crown and head.

Multi Cross

24 by 18 in. (60.96 by 45.72 cm.) Oil on Canvas

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Painted leaves placing them on and in the ice that wasn’t there.

Two Leaves on/in Ice

18 by 24 in. (45.72 by 60.96 cm.) Oil on Canvas

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The second painting of fall leaves depicting the golden triangle concealed within the transfiguration. When it was painted it was only my first leaf painting along with not knowing of the golden triangle or trying to emulate the transfiguration knowingly, the brush with paint lead me.

Three Leaves Transfigured

16 by 20 in. (40.64 by 50.8 cm.) Oil on Canvas

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Painted in the dead of Winter. Missing green completely. Thoughts of Rio and Hawaii must have been in my subconscious as were the sacrificial ancient south American cities. Not thinking of particular mountain ranges this appeared – combined of all.

Rio Hai

44 by 14 in. (111.6 by 35.6 cm.) Oil on Canvas

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Close up macro shot of painting details.

Rio Hai [close-up]

detail view

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Painted ocean while looking at the green mountains landscape.

Other Side

8 by 5 in. (20.32 by 12.7 cm.) Oil on Wood

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Phthalo Greenscape was painted as a wash using one color the thought behind the composition was that of a dear friend who moved to Vt from NYC and myself never being in Vt could only imagine the great green graces of the Green Mountains of Vt. I had thought the fences were made of water creating an open and free environment yet unruly rustic like the Northern Maine NH Alaskan rustic wilderness – yet peacefully welcoming – with unrevealed mystery.

Phthalo Greenscape

36 by 48 in. (91.44 by 121.92 cm.) Oil on Canvas

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Painted in a hot attic with no AC, of course I could feel that day there, although I’m sure I could've cooled jumping in the waves.

MistyHotSummerDay

12 by 16 in. (30.5 by 40.6 cm.) Oil on Canvas

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Painted on the side of a mountain overlooking mountains receding into the distance while the other side of the mountains view was of the seacoast visible from Kennebunk to Boston.

2nd Side Landscape

11 by 9 in. (27.94 by 22.86 cm.) Oil on Wood

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Painted for my Mothers Birthday. A great Artist. Also a diabetic.

The Almighty Piece of Candy

5 by 7 in. (12.7 by 17.78 cm.) Oil on Canvas

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Growing up in Lowell I had many friends of great spirit and talent. George Condo Stopped by, we grabbed a magazine by the side of the chair he suggested we draw on the cover together just as we’d do as kids. ‘Don’t you remember’ he said. It was a fun drawing day not forgotten.

SOLD   at Auction Sotheby’s March 18, 2021

Orphan/Condo Magazine Pulp

11 by 8-1/4 in. (27.94 by 20.95 cm.) Graphite on Magazine

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Sketched while being servant to an obliviant Artist. Thinking of being in Paris without going - as everyone I knew and lived with - shuttled to And fro. Many years Thinking I missed out…truthfully Not. Having taking study with a sage. Two in fact. Traveling beyond expectations of an imagined inanimate object - of which it had been presented to me - In all it’s feeble glory. The birth of realization. Unbeknownst through being purged emotionally. Big deal. Still learning the French language to help me get around the city center easier, or even better. Living in the Old Port of town. Québec.

French Cop

11 by 8-1/4 in. (27.94 by 20.95 cm.) Oil Pastel on Cardboard

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Painted a nonexact nonexistent flute for an advanced student of the instrument.

Flute

8 by 10 in. (20.32 by 25.5 cm.) Oil on Canvas

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Painted a rainy nightscape of a dream being near Washington square, it remains partially unrecognizable in dreams location within the focus of its correct physicality.

Wash Sq. Dream...Big Citi Blues

12 by 8 in. (30.48 by 20.32 cm.) Oil on Canvas

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Painted during transition from Music to Art. All the scores, all the years invested, all the sounds heard and unheard of - brought me to this painting.

Linier Expression

12 by 8 in. (30.48 by 20.32 cm.) Acrylic on Canvas

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In between The muses of Music and Art Stars formed hidden behind the clouds In this instance - music.

Nocturned Scored Sky

16 by 20 in. (40.64 by 50.80 cm.) Acrylic on Canvas

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In Life class the influence of Francis Bacon appeared as in The World of Art.

Ode to Bacon

38 by 26in. (96.52 by 66.04cm.) Oil on Canvas

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Still life of Plastic Fruit painted to eat.

A Pear of Pairs

8 by 10 in. (20.32 by 25.40 cm.) Oil on Canvas

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To be 6 again… Feeling the thick plush grass cushioning your toes and feet as you slip slide & glide running as fast as you do. Looking up and seeing animals, aliens, and kitty cats all in the chase of you and your dreams. Childhood is never lost…just forsaken.

Child’s Imagination Summer Running

52 by 68 in. (132.08 by 172.72 cm.) Oil on Canvas

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Do you seek Riches is in the form of cash, the understanding or amassing Vast treasures of art. Perhaps to be thoroughly absorbed by the new aristocracy and become one - in or of the club, or do you fancy Yourself a socialite - to be counted among them. Or Love …. Yes it’s unconditional. Written on the sleeve never on the heart …‘I am a producer‘ Let me step all over your master tapes and disregard your musical art. unlike my own of course. Selflessness.

The Pursuit of Love

50 by 48 in. (127 by 121.92 cm.) Oil on Canvas

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Ordained in gold or plastic … The power of God doesn’t need be be invoked by the images produced by man.

Cellophane Cross

16 by 24 in. (40.64 by 60.96 cm.) Oil on Canvas

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Black is the night never black. It reflects all colors of its atmosphere. All colours and graces create black. Black contains all colors reflected onto it, either through atmosphere or thru the night. Nothing's ever Black - Black contains all the colors. I see many colors in the night. Never one. Rarely so. All of the colors create black.

Nocturne

36 by 48 in. (91.44 by 121.92 cm.) Oil on Canvas

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This painting brings to my mind - music.

Bill Evans in Montreux

108 by 144 in. (274.32 by 365.76 cm.) Oil on Canvas

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The starkness soon to be restored - unseen until cured.

The Side of Healing

30 by 42 in. (76.2 by 106.68 cm.) Oil on Canvas

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The plump puffs of flowing tall green grass lying horizontally in pillows of green. #7 of 25 paintings depicting the marshland.

Marsh Series # 7

20 by 40 in. (50.8 by 101.6 cm.) Oil on Canvas

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Blurred vision - fogged landscape & sea - Which did the painting turn out to be… It’s up to your personal experience upon viewing.

Mirage between Land and Sea

12 by 36 in. (30.48 by 91.44 cm.) Oil on Canvas

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A fictitious painting of where hope is to be.

Where Mountains meet the Sea

18 by 22 in. (45.7 by 55.8 cm.) Oil on Canvas

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The Ancient Music of Greece portrayed on canvas.

SOLD   Private Sale

Mythological Music

23 by 27 in. (58.42 by 68.58 cm.) Acrylic on Canvas

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The macro bug - 20, magnified tenfold by 2. It lies in wait to make me sick. Another strain I cannot take. Awaiting to seize the world's powerfully rich in health and mind. Money counts for nothing...Souls searching for dawned discoveries of calm, tranquil, hushed Stillness - interrupted by this bugs malady.

The Bug

16 by 20 in. (40.64 by 50.8 cm.) Oil on Canvas

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Selfishly right no matter what. Patience never [always a fight]. I am of no consideration, I am wrong in every right. Dare tell differently the angle not considered by thee with no insight.

The Teenager

24 by 18 in. (60.96 by 45.72 cm.) Oil on Canvas

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The pitch dark shadows have Motion in the Nite - in the bedroom, under the bed, in the closet, by the door, by my head - waiting for me...unescapable youth. Watch me watch me, Dad - I'm watching I'm watching I hear his reassurance - unheeded as I walk upstairs with no light breaking the shadows. Nervously onward with Clumsy Footsteps precariously leading the way...

A Nitemare

24 by 18 in. (60.96 by 45.72 cm.) Oil on Canvas


Artist Statement

My introduction to painting was from my Mother. My earliest sense memory is the smell of turpentine. As a toddler, I couldn’t wait to get into the paint. Not very long after I came upon the sound of the orchestra on the radio. But it was the almost voice - like sonority and omni directional presence of music that captivated me completely. The sound of it registered in my body as physical shapes and images. That’s where the awareness began for me that sound and visual image are inseparable. They are connected absolutely in consciousness and in spirit. From what I paint emerges music that appears on the canvas.

PETER ORPHÁNOS

Each painting is representative of a series.


Influences/Studies


Mother – Sophia Spanos Orphános

She was a master of the arts and attended Boston University. Her life was all about music and art. She was a portraiture artist and has left a significant compendium and collection of art work, representative of her style developed as a student of Ken Pillsbury, Callahan, and Robert Douglas Hunter, Sean Beavers, among others. She taught me often about Color and Light, Seascapes / Landscapes, Abstract, daily. She often painted at area locations. Her work is at the Whitney Museum of Art in NYC.


-Contemporary Realist painter
-He left photo-realism for a more personally expressive style in abstract expressionism and color field painting.
-For the Colombian artist, eroticism was a liberating force, which should contribute to enriching the perception of reality.